The electric guitars is just so electrifying and the drums just give the sequence that oomph it needs. The instrumentals here carry more of a rock influence that I am totally digging. VENI VIDI VICI‘s bridge is a dance break and it does amp up, but it keeps itself in line with what we have heard so far. Just when you thought the song would really amp up and return CRAVITY to EDM territory, the song throws a bit of a curveball. The second verse is probably their least memorable sequence, with the raps going into trap territory and the pre-chorus is then repeated. Once again, it is definitely showcases a mature vibe, with the focus being on rather than the raps which is the usual centerpiece of their title tracks. I find the pre-chorus leads us appropriately into the chorus, which is more dance territory, but nothing like their EDM. But that changes once we approach the pre-chorus, which brings a heavier presence of those guitars (revealed to be electric guitars). As we progress through the verses, the song steps more into generic territory. VENI VIDI VICI opens up with soft brass and guitar work, before soft vocals comes into play. But VENI VIDI VICI sounds a lot more mature (without really trying to sound mature at all), showing us a different side of CRAVITY we just haven’t really delved in yet. ![]() I do miss that striking nature and boldness that their title tracks have thanks to the EDM. It is quite an interesting dynamic to be honest. But ahead of that, here are my thoughts on VENI VIDI VICI.Ĭompared to their EDM-aligned title tracks, VENI VIDI VICI sounds much more sophisticated. An album review is being prepared as we speak. Today, CRAVITY returns with the release of a music video for VENI VIDI VICI, which follows up the release of Gas Pedal from their first ever studio album, The Awakening: Written in the Stars. For their second mini-album, the group followed up with Ooh Ahh, while their third mini-album was followed up with Bad Habits. Following their debut, the group released promotional materials for Cloud 9, another song (other than Break All The Rules) off their debut mini-album. Nas appears for a guest verse talking about his own life as Diplo backs it with shotgun and crunching horn sounds.Since their debut in 2020, it has been a traditional for CRAVITY to follow up promotions of their main title track with a side track off their latest album release. Madonna sings the chorus over simple guitar beats, uttering "I came, I saw, I conquered", the English translation of the song's title. If I can rip anybody off, I can rip me off." Madonna shouts outs several of her classic tracks, during her two verses, including " Holiday", " Like a Prayer" and " Ray of Light." Asked by Billboard magazine why she's quoting her work, the Queen of Pop replied: "I reference many things in pop culture, and I've written so many songs and had such a long career, that I end up referencing myself, too. ![]() Its popular usage originates from a letter that Julius Caesar wrote to the Roman Senate around 46 BC, in which he summarized his quick campaign against King Pharnaces II of Pontus in Zela, Asia Minor as "Veni, vidi, vici." The phrase is used to refer to a swift, conclusive victory. The "I came, I saw, I conquered" line in the chorus is an English translation of the song's Latin title. " Veni Vidi Vici" is a song by Madonna from the deluxe edition of her thirteenth studio album Rebel Heart.
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